Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Forster E. M., A Passage to India — 2009

A mysterious incident at the Marabar Caves, involving Adela Quested, newly arrived from England, and Dr Aziz, an Indian doctor, leads to a drama that divides the British and Indian communities in anger, distrust, and fear. Forsters great novel brings to life all the dangers and misunderstandings of colonialism but, as Forster himself wrote, the story is about something wider than politics, about the search of the human race for a more lasting home, about the universe as embodied in the Indian earth and the Indian sky, about the horror lurking in the Marabar Caves.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Forster E.M., Aspects of the Novel — 2005

Collection of literary lectures by E.M. Forster, published in 1927. For the purposes of his study, Forster defines the novel as any fictitious prose work over 50,000 words. Forster`s wit and lively, informed originality have made this study of the novel a classic.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)

Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ,Äæåðîì Ê. Äæåðîì, Àðóòð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

English Short Stories of the 20th Century. 1900-1950 — 1988

 ñîñòàâ ñáîðíèêà âêëþ÷åíû ëó÷øèå îáðàçöû íîâåëëèñòè÷åñêîãî íàñëåäèÿ êëàññèêîâ àíãëèéñêîé ëèòåðàòóðû 20 âåêà. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíûìè ñòàòüÿìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Forster E.M., A Passage to India — 1983

That Marabar Case was an event which threw the city of Chandrapore into a fever of racial feeling. Miss Quested, on a visit from England to the man she expected to marry, showed an interest in Indian ways of life which was frowned upon by the sun-baked British community. She returns, alone and distressed, from an excursion to the caves in the company of a young Indian doctor. He is arrested on a charge of attempted assault, but when the case comes to trial Miss Quested withdraws her accusation and the doctor is set free. Was she the victim of an hallucination, a complex, an unidentified intruder, or what? In this dramatic story E.M. Forster depicts, with sympathy and discernment, the complicated Oriental reaction to British rule in India, and reveals the conflict of temperament and tradition involved in that relationship.

Ïîäðîáíàÿ èíôîðìàöèÿ

Forster E.M., The hill of devi — 1983

Ïîäðîáíàÿ èíôîðìàöèÿ

The Idea of Literature. The Foundations of English Criticism — 1979

Ñòàòüè ñáîðíèêà äàþò ïðåäñòàâëåíèå î ôîðìèðîâàíèè ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè â Àíãëèè íà ïðîòÿæåíèè ÷åòûðåõ ñòîëåòèé - îò ýïîõè Âîçðîæäåíèÿ äî íàøèõ äíåé. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, ñïðàâêàìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.  ñáîðíèê âîøëè êðèòè÷åñêèå î÷åðêè êðóïíåéøèõ àíãëèéñêèõ ïèñàòåëåé è ëèòåðàòóðíûõ êðèòèêîâ: Ñèäíåÿ, Ôèëäèíãà, Äèêêåíñà, Òåêêåðåÿ, Øîó è äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Forster E.M., A Room with a View — 1976 (Penguin Modern Classics)

One of E. M. Forster's most celebrated novels, "A Room With a View" is the story of a young English middle-class girl, Lucy Honeychurch. While vacationing in Italy, Lucy meets and is wooed by two gentlemen, George Emerson and Cecil Vyse. After turning down Cecil Vyse's marriage proposals twice Lucy finally accepts. Upon hearing of the engagement George protests and confesses his true love for Lucy. Lucy is torn between the choice of marrying Cecil, who is a more socially acceptable mate, and George who she knows will bring her true happiness. "A Room With a View" is a tale of classic human struggles such as the choice between social acceptance or true love.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Forster E.M., A Passage to India — 1965

That Marabar Case was an event which threw the city of Chandrapore into a fever of racial feeling. Miss Quested, on a visit from England to the man she expected to marry, showed an interest in Indian ways of life which was frowned upon by the sun-baked British community. She returns, alone and distressed, from an excursion to the caves in the company of a young Indian doctor. He is arrested on a charge of attempted assault, but when the case comes to trial Miss Quested withdraws her accusation and the doctor is set free. Was she the victim of an hallucination, a complex, an unidentified intruder, or what? In this dramatic story E.M. Forster depicts, with sympathy and discernment, the complicated Oriental reaction to British rule in India, and reveals the conflict of temperament and tradition involved in that relationship.

Ïîäðîáíàÿ èíôîðìàöèÿ

Forster E.M., A Passage to India — 1982

That Marabar Case was an event which threw the city of Chandrapore into a fever of racial feeling. Miss Quested, on a visit from England to the man she expected to marry, showed an interest in Indian ways of life which was frowned upon by the sun-baked British community. She returns, alone and distressed, from an excursion to the caves in the company of a young Indian doctor. He is arrested on a charge of attempted assault, but when the case comes to trial Miss Quested withdraws her accusation and the doctor is set free. Was she the victim of an hallucination, a complex, an unidentified intruder, or what? In this dramatic story E.M. Forster depicts, with sympathy and discernment, the complicated Oriental reaction to British rule in India, and reveals the conflict of temperament and tradition involved in that relationship.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Forster E.M., A Passage to India — 1985

What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster s 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: can an Englishman and an Indian be friends? Written while England was still firmly in control of India, Forster's novel follows the fortunes of three English newcomers to India--Miss Adela Quested, Mrs Moore and Cyril Fielding--and the Indian, Dr Aziz, with whom they cross destinies. The idea of true friendship between the races was a radical one in Forster s time, and he makes it abundantly clear that it was not one that either side welcomed. Despite their countrymen s disapproval, Miss Quested, Mrs Moore and Mr Fielding are all eager to meet Indians, and in Dr Aziz they find a perfect companion: educated, westernized, and open- minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr Aziz of sexually assaulting her, but then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed. Arguably Forster's greatest novel, A Passage to India paints a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political, and in the breach between Aziz and his English "friends", Forster foreshadows the eventual end of the Raj. --Alix Wilber

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Forster E.M., Collected Short Stories — 1982 (Penguin Modern Classics)

Written at various dates before World War I, these 12 stories contain themes that were to re-emerge in E.M. Forster's later work. They demonstrate his belief in freedom, self realization and a spiritual honesty that may be used to defeat the lies of repression.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Forster E.M., The Longest Joyrney — 1976

In writing about E. M. Forster, the American critic Lionel Trilling has described The Longest Journey as 'perhaps the most brilliant, the most dramatic and the most passionate of his works'. It is the story of Rickie, a sensitive and intelligent young man with a certain amount of literary talent and a modest fortune, who sets out from Cambridge with the intention of writing. His stories are not successful and in order to marry the beautiful but shallow Agnes he agrees to abandon his writing and become a schoolmaster at a second-rate public school. This abandonment of personal and real values for those of the world leads him gradually into a living death of conformity and spiritual hypocrisy.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ